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Francisco de Goya Die Lampe des Teufels 1797-1798
Medium oil on canvas
Dimensions Deutsch: 42 x 32 cm
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Francisco de Goya The Strolling Players between 1794(1794) and 1798(1798)
Medium oil on tin plate
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Francisco de Goya The Vintage 1786(1786)
Medium oil on canvas
Dimensions Deutsch: 275 x 190 cm
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Francisco de Goya The grape harvest Oil on canvas
Dimensions 275 x 190 cm
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Francisco de Goya Der Arzt 1813
Medium oil on canvas
Dimensions Deutsch: 96 x 121 cm
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Francisco de Goya Don Jose alvarez de Toledo y Gonzaga (1756-1796), 15th Duke of Medina Sidonia, 13th Duke of Alba and 11th Marquis of Villafranca around 1795
Medium English: Oil on canvas
Dimensions 195 x 120 cm (76.8 x 47.2 in)
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Francisco de Goya Wassertragerin oil on canvas
Dimensions Deutsch: 68 x 50 cm
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Francisco de Goya The Yard of a Madhouse 1794(1794)
Medium oil on tinplate
Dimensions Height: 43.8 cm (17.2 in). Width: 31.7 cm (12.5 in).
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Francisco de Goya Fire at Night between 1793(1793) and 1794(1794)
Medium oil on tinplate
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Francisco de Goya Picador Caught by the Bull 1793(1793)
Medium oil on tinplate
Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in).
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Francisco de Goya A Prison Scene 1810-14 or 1793-94
Medium oil on tin
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Francisco de Goya woman and two children by a fountain 1786(1786)
Medium oil on canvas
Dimensions 35.5 x 18.8 cm (14 x 7.4 in)
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Francisco de Goya Episode aus dem spanischen Unabhangigkeitskrieg 1810
Medium oil on canvas
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Francisco de Goya Friar Pedro Wrests the Gun from El Maragato c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
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Francisco de Goya Friar Pedro Shoots El Maragato as His Horse Runs Off c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
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Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
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Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun c. 1806(1806)
Medium oil on canvas
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
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Francisco de Goya Two Women Eating between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 53 cm (20.9 in). Width: 85 cm (33.5 in).
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Francisco de Goya Two Monks between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 144 cm (56.7 in). Width: 66 cm (26 in).
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Francisco de Goya A Pilgrimage to San Isidro Oil on plaster mounted on canvas
Dimensions Height: 140 cm (55.1 in). Width: 438 cm (172.4 in).
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Francisco de Goya
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Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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